NEW! PluralEyes 3. Your audio/video now syncs in seconds

September 28, 2012

by PluralEyes’ Singular Software

Audio/Video sync in seconds

Videographers and filmmakers win by telling a good story. Now you can win at the workflow behind that story too. By synchronizing audio and multi-camera video automatically, PluralEyes revolutionizes post-production and speeds your sync in seconds rather than days. PluralEyes 3 for Mac OS X is a standalone application with a new timeline, visual feedback, and ‘test & tweak’ features for quality control. PluralEyes 3 is up to 20x faster than PluralEyes 2, and can easily prepare an audio/video sync for any NLE. For a faster, less tedious and more accurate workflow, use PluralEyes 3 to put the focus back onto creative storytelling.

What’s New (see video here)

  • Turn post from tedious to lightning-fast. PluralEyes 3 is up to 20x quicker than PluralEyes 2, and hundreds of times faster than synchronizing the old-fashioned way. Learn to love visual storytelling again.
  • Enjoy production more as you do less. A brand new timeline with visual feedback gives you confidence as you watch the sync happen. Identify problems before they happen, and get some geek excitement by watching the sync occur in real time.
  • Bring quality control to the edit. New ‘test & tweak’ tools such as Two-Up View and Synchronize Pair of Clips save time by adjusting the sync on-the-fly, offering you a full quality control step before the creative editing.
  • Get the sync in in one place. Our integration of DualEyes features has created a standalone PluralEyes application, creating a consolidated work environment.
  • Just buy it once. PluralEyes 3 delivers everything at once, with support for all host NLEs in one package, at one price. You get exactly what you need with one simplified purchase.

Reasons To Buy

  • Eliminate the pain of manual syncing. Turn what used to be hours or days of data wrangling into seconds. Free up time, budget and resources to focus on the creative art of visual storytelling.
  • Pays for itself in minutes. Now a part of the Red Giant family, PluralEyes includes DualEyes functionality for one price, on all hosts, in one package. Wow.
  • Less gear for more creativity. Hang that clapper on your office wall as an antiquated objet d’art. Shoot with a revitalized, lighter footprint.
  • Works with your favorite cameras. PluralEyes works fluidly with native file formats from DSLR cameras like Canon, Nikon and GoPro, and supports a broad range of other cameras, file formats and codecs. Learn more
  • Export to the NLEs you need. Thanks to integrated DualEyes features, PluralEyes exports its timeline directly to Final Cut Pro and Premiere Pro, and exports media files for use in every host application.

Sync that’s faster than a cup of coffee

Filmmakers and editors can lug the expensive, complicated gear of time code, a DSLR mic adaptor or a circa-1950s clapper—and then slog through synchronization manually. Or they can open PluralEyes, hit SYNC, and walk away. PluralEyes 3 is up to 20x faster than PluralEyes 2 and hundreds of times faster than the manual slog. Now you can create an audio/video sync in seconds, before that cup of coffee is even brewed.

Retrofitted to beautiful brilliance

PluralEyes 2 was a black box, simple but indispensable. PluralEyes 3 took all those brains and made it beautiful—and up to twenty times faster. With an interactive timeline, intuitive quality control, and playback/display options, our entirely new interface is easier to use, with visual feedback to move you confidently into post-sync creative editing. It’s the ultimate ‘fix it in post’ tool.

Freedom to focus on your film

PluralEyes 3 supports all kinds of work environments, from importing a native DSLR workflow to exporting media files for use in any NLE. Thanks to newly integrated DualEyes features, PluralEyes now works in a dedicated, standalone interface. This lets you set up faster and get solid footage with less gear and hassle, and enjoy using camera configurations that weren’t possible before. Remove the biggest barrier to focusing on your film: synchronization.
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