Show all media with the free myFiles application

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May 24, 2013

by Andreas Kiel

myFiles is a proof of concept application and available as a free utility which is part of the X-Files Pro project.  myFiles a a free application that allows you to make an external list of all media that is involved in a Final Cut Pro X Event or Project.

myFiles will do a read-only query of any “fcpproject” of “fcpevent” type of file. This is non-destructive and totally safe.

It will show all media which are involved in an Event or Project. Not only that the file paths are displayed — myFiles will tell you whether the media are available or not on your current system setup.

It doesn’t matter where your “fcpproject” of “fcpevent” files are located, they even can be backup files FCP X created. Just open an Event or Project file or drag them onto the application’s icon or into the table view of the interface.
Clicking a table column header sorts the media list.

Saving Media Lists
The media list can be saved as a tab-text file. This allows to compare different versions of Events and/or Projects with applications like BBEdit. Or you can import these files into your favorite database application.

You can download the application here.

A more detailed explanation article by fcp.co can be found here.

Andreas Kiel has written some great applications for Final Cut Pro and now FCPX.

Check Out A (Free!) Screenwriting Fundamentals Course

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May 23, 2013

by

Literally thousands of people write screenplays every year, and for many of these writers, these screenplays are likely their very first efforts at screenwriting. For screenwriting newbies, several books exist that cover the basics of screenplay format and story structure, and more and more screenplays are available online for new writers to read and study. If you’re just getting started with screenwriting or if you have written one or two screenplays and want to hone your craft, a new online course from lynda.com, Screenwriting Fundamentals by Mark Tapio Kines, may be just want you need. And the best part is you can check it out for free (and any other lynda.com course) with a 7-day trial subscription.

Screenwriting Fundamentals Online Course Mark Tapio Kines

Mark Tapio Kines is a screenwriter and director whose first film, Foreign Correspondents, was the first crowd-funded film back in 1997 according to the filmmaker. His second feature film, Claustrophobia, was distributed by Lionsgate and his 60-second short The Closest Thing to Time Travel won the Grand Prize at the 2006 Getty Images competition The Next Big Idea.

Here’s Mark Tapio Kines’ pitch for his course.

And here’s a sample of one of the course’s videos that focuses on the desire of your story’s characters to give you a sense of the overall course content.

Although Kines promotes this as a screenwriting course for all writers at all levels, the content is mainly geared toward people new to screenwriting as the title Screenwriting Fundamentals would suggest.

After reviewing the course in its entirety, I found a number of strengths:

  • The course covers the three-act structure of a screenplay in clear, concise terms with easy-to-follow examples.
  • Kines explains the importance of the various plot points throughout the screenplay structure in an effective manner.
  • The course does not overwhelm the audience with too many concepts. Instead, Kines repeats key concepts and builds upon them.  Kines uses some of his own jargon, but most of it is plain English.
  • The course is broken into bite-sized videos which makes it a good reference tool as you work your way through a screenplay.
  • Kines does a good job setting up the basics of story and character from a screenwriting perspective before jumping into the specifics of how to structure each of the three acts of the screenplay.

As for weaknesses, I think this course has two. First, the chapter on formatting a screenplay leads new writers down the path of formatting a screenplay in Microsoft Word, not writing their story. Writing a screenplay in Microsoft Word is torture, and while Kines demonstrates that it’s possible, I think it’s a disservice to encourage new writers to use a tool ill-suited for the job. New writers would be wise to use a free screenwriting software package like Celtx or Trelby, or spend a little money on Slugline or any of the other screenwriting applications available for under $50. New screenwriters should definitely learn the formatting standards of a screenplay and follow them, but they should also take advantage of applications that handle the formatting for them so they can focus on writing their stories.

Second, because of the very nature of the course – an online course on Screenwriting Fundamentals – Kines doesn’t really dig into what good scenes look like on the page. This may be an unfair critique because the course isn’t really designed to go in-depth this way, but understanding basic screenwriting three-act structure and knowing how to write individual scenes to flesh out that structure are quite different. This course does a good job explaining how a story should be laid out as a screenplay, but really only scratches the surface of the “how-to” screenwriting at the scene-by-scene level.

Overall, I would recommend this course to filmmakers from different disciplines (camera, sound, editing, VFX, etc.) that have a great idea for a story, but haven’t really spent the time learning how to write a screenplay to tell that story. I would also recommend this course to screenwriting newbies with no previous film experience as it won’t bog them down in a lot of minutia as they embark on their first scripts.

Like Kines says, people who take this course should also get their hands on as many scripts as possible (hopefully some similar to their own story or style) to learn by reading screenplays. This course would also benefit from some additional reading. NFS readers can find some helpful books on story as well as screenplay format on our film school on a bookshelf.

lynda.com offers a 7-day free trial, which gives you access to all of its online video tutorials, including Screenwriting Fundamentals. If you want access to Screenwriting Fundamentals or other lynda.com tutorials after the 7-day trial, the website charges $25/month with no long-term commitments.

You can also check out a few more videos from Kines’ course without even subscribing to lynda.com, including:

Are you looking for an online screenwriting course to improve your storytelling abilities? Do you think this course would work for you? Share your thoughts with us in the Comments, below.

 

The History and Science of Color Temperature

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May 22, 2013

by

Thanks to Ryan Farnes for posting!

Survey the effect of color temperature and its psychological effects from the incessant heat of Spike Lee’s “Do the Right Thing” to the icy chill of the Coen Brothers’ “Fargo”. Then we look at the science of color temperature from it’s beginnings with Max Planck to how color temperature is measured with new alternative sources of lighting before looking at some practical and artistic uses of white balance.

This video is part of the FIlmmakerIQ course on “The History and Science of Color Temperature”
filmmakeriq.com/courses/the-history-and-science-of-color-temperature/

 

Read also: Coen Brothers Switching from Final Cut Pro to Adobe Premiere with Their Next Film

 

Stockeon is an Artists’ Marketplace

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May 21, 2013

by Stockeon

MotionVFX is proud to announce that starting from today on, their products will also be available at Stockeon.com.
Stockeon offers thousands of royalty free stock videos, Motion & After Effects Templates, Cinema 4D scenes, royalty free music and sound effects.

Stockeon is also an artists’ marketplace where professionals sell their work. (I’ve done it, so can you–)  Sell your work and earn 55% commission.

Click here to find out more!

Royalty free stock files:

Apple Motion Templates
After Effects Templates
Stock Video Footage
Music and SFX Files

Canon Creates Video Camera X-Series Look Picture Style

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May 20, 2013

by CanonRumors.com

Canon Rumors

Canon last week announced the release of a new in-camera Picture Style pre-set for its range of EOS DSLRs. Created following direct feedback from video enthusiasts, the new Picture Style, called Video Camera X–series-look, enables users to capture EOS Movie footage with lower contrast levels, allowing for easier colour grading during post production processes.

Similar to that available in Canon’s range of X-series camcorders, the new Picture Style works by lowering colour saturation levels and contrast during filming. This makes it ideal for videographers during post production grading processes, especially if complementing with pre-existing footage shot with Canon’s X-series models, or alternatively for those who instantly want to add atmosphere to Full HD movies. In addition, the new Picture Style can also be applied to still images captured in RAW or JPEG formats.

The new Picture Style can be downloaded now from: http://software.canon-europe.com/

 

Free Plugins and Stuff for Final Cut Pro!

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May 17, 2013

by spherico.com

spherico

Below some little utilities by spherico.com which make use of Final Cut Pro’s XML features. They all are big time savers, or allow you to get access to data of your Final Cut Pro project that normally are hard to get or to change.

Free Stuff

TitleExchange
Is a small donation/freeware which allows to juggle subtitles within several applications

X-Files Pro – coming soon
A small donation/freeware which allows to manage Disk Images, Volumes, Events and Projects for Apple’s Final Cut Pro X

myFiles
A small freeware which allows to to view media source file info for Events and Projects of Apple’s Final Cut Pro X files.

CreateDiskImage
This little free tool allows to create disk images — this can be helpful when working with Apple’s FCPX (and other applications as well)

Motion Template Tool for Apple’s FCPX
Is a small donation/freeware which allows to install custom Motion Templates in an easy way for FCPX users.

fxMover for Apple’s FCPX
Is a small donation/freeware which allows to move Motion Templates out of FCPX in an easy way for users.

psTitles (PhotoShop < CS 6)
Is a small freeware applicaion which allows to script Adobe’s PhotoShop to create high quality subtitles for probably any NLE based on an Apple Spruce STL the application is also part of the TitleExchange installation.

Alexa Tool
This little free tool allows to copy Alexa cards and clean up the card’s FCP XMLs (type xmeml) to make it ready for a smooth import into Apple’s legacy Final Cut Pro.

If you already copied the cards to a local disk the app will re-write the links in the XML and the ProRes clips will be imported as online clips, freeing you from the hassle to reconnect them.

It also allows to double check those clips listed in the XML against those which are stored on the card and does an automatic re-write of the XML. This will remove some not used metadata which might be offending and cause an error in Final Cut Pro when trying to reconnect offline clips. Additionally it adds some metadata for FCP which are not listed in the XML on the card, like camera serial number, the angle of the camera and the 3D settings.

CopyCards
This little free tool allows to copy camera cards in an easy and safe way.

sequenceLiner ( FCP < X)
Is a small freeware (this will change) which allows to lay down clips to a pre-defined sequence according to their time-codes.

auxTC for Final Cut Pro 7
Is a small freeware which allows to add TC information based upon creation/modification time of the file.

switchLanguage for Final Cut Pro ( < X )
switchLanguage brings back a part of functionality of the former Finder Info window for Final Cut Pro.

You can select a language setting for Final Cut Pro which is independent from the language settings of your OS.

markerTool (FCP < X)
Is a small freeware which allows to shuffle around markers in Final Cut Pro sequences

scanCalc
ScanCalc is a little helper to calculate image scan resolutions when working with video.

BWF iXML Reader
Is a small freeware to analyze the iXML of broadcast wave files.

readXML(FCP< X OSX < 10.6)
readXML – as the name somehow says – does read Final Cut Pro XMLs.

You can load any kind of XML from Final Cut Pro, but only clips or sequences will be parsed dependent upon the user’s choice what to process. See what it can do for you.

rotateClips(FCP < X OSX < 10.6)
rotateClips is a small helper application for people using the 35mm adapter with their camera. It allows to either “Flop” all clips in a project or rotate them in one single step – more than 2500 clips in a 64 mb XML were changed in about 10 seconds, where loading the XML into memory and writing it back to disk took most of the time. To learn more drop me an email

Free Plugins for Final Cut Pro

Basic Text
Is a simple modification of the original ‘Lower 3rd’ text generator. It has additional controls for horizontal and vertical position of the text, as well as text alignment.

Jiggler:
a simple effect which jiggles the position of the frame randomly.

Shifter (free)

Shifter
the tool to change video field order quickly.

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100% Free Production Music

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May 16, 2013

by freestockmusic.com

Free Stock Music instruments

FreeStockMusic.com offers a wide variety of 100% free production music in ten genres: cinematic scores, classical, corporate, country, easy listening, electronic, hip-hop, international, pop and rock.

We’re committed to helping you find the perfect song for your video, movie, film, video game, or media project.

Our music comes with a royalty-free license allowing you to use the music in all types of productions for worldwide distribution, forever. There are never any fees.

If you’re new here, sign up for a free account and join a community of over 25,000 users.

Not sure where to go next? Get started here.

For example:

Should You Use Song Lyrics in Your Videos?

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May 15, 2013

by freestockmusic.com

Song Lyrics in Video Movies Films Visual Media Projects

You hop in your car, turn on your radio, and that song you love comes blasting through the speakers. You know every single word and start singing at the top of your lungs with complete disregard for other passengers or (if you really love it) other drivers.

This scenario isn’t unique. With pop music, we’re trained to listen for lyrics when we hear a song.

But with movies and other visual mediums, the expectations are different. You don’t usually head to a movie theater for a sing-a-long session of the latest Hollywood blockbuster. In fact, you may go an entire film without hearing one word sung throughout it.

On the flip side, however, movies like “Juno” could be full of songs with colorful lyrics.

So how do filmmakers decide when to use lyrics and not? As you already know, picking the right song is a crucial decision in the creative process — this is just another step along the way.

You Should Use Lyrics…

1. To Convey Your Message More Strongly to the Audience

The best use of lyrics is when it enhances the story you’re trying to tell. Anything you can do to add substance to your video in terms of plot is good.

With a commercial, your message might be “Buy Product X!” told through a company jingle.

With a series of “How-To” videos on YouTube, you could use lyrics to add branding to your clips.

With a movie, lyrics embodying a theme of the movie helps audiences become more aware of it.

These are just a few examples of ways lyrics can embolden your video. They can be one of the best tools in your arsenal to strengthen what message you’re trying to get across to your audience.

2.  As a Tactic to Provoke an Emotional Response

Emotion and feeling is what drives every video you make. It can be sadness, happiness, lust, greed, whatever — but the audience has to feel something for your video to be effective.

Music heightens these feelings and lyrics can push them even further. With musical melodies, the response is more intuitive as we sense the music and are aware of it, but don’t necessarily focus on it.

With lyrics, however, we are forced to listen, interpret, and reconcile what the words are saying.

Using lyrics at the right time with the right visuals is an easy tactic to provoke the emotional response you want, but be careful as it’s easy to over do it (see below).

3. To Show the Audience Character Traits

When a character listens to a song in a video, it says something about them. Are they a fan of gangster rap or R&B? Do they listen to songs about love or those about sadness? Do they get excited at certain words?

By using lyrics, you give away more information about a character while being subtle.

Think about the scene from Wayne’s World where they sing Queen’s Bohemian Rhapsody — it tells us not only that Wayne and his friends like the song, but they love it enough to learn all the parts and words which tells you they are extremely passionate about music.

Once you understand diegetic and non-diegetic music, you’re able to use lyrics in more ways within a fictional world or outside of it.

You Should Avoid Lyrics…

1. When There is Dialogue in the Scene

Most of the time you hear songs with lyrics playing in a video is over montages, scenes, or moments without dialogue — and there’s a good reason for that.

As a practical consideration, lyrics shouldn’t be played when there is important dialogue in a scene because it has the effect of two conversations going on at the same time.

Exceptions to this rule might include:

  • A song with lyrics playing in the background (of a party, etc.)
  • When you want the dialogue to be hard to hear as an effect
  • When the lyrics are more important than the dialogue being played over

Of course, like any rule, you are free to break it, but make sure you have a good reason to do so.

2. When They Are Too “On the Nose”

I first heard the term “on the nose” from a film professor in college. He had trouble explaining it because it’s a difficult concept to define — but I’ll try anyway.

“On the nose” is when something — lyrics, dialogue, or an action — is so descriptive of the situation that it’s too self-aware. The result is something serious becomes humorous because it’s too perfect.

It just doesn’t feel right.

Often, “on the nose” music is exploited for comedic effect like in Austin Powers when Dr. Evil and Mini-me dance to “Just the Two of Us.” While ” it’s very effective in comedy, it can be very deadly to your video if you’re reaching for a more dramatic mood.

3. When They Don’t Mean Anything

On the other end of the spectrum are lyrics that don’t mean anything at all. You have to tread a fine line between lyrics meaning too much and meaning too little.

You have to expect that — like I said above — the audience will interpret every lyric to be representative of the story or a character. So unless you’re trying to make a statement by putting gangsta rap over a family Thanksgiving scene, then don’t do it!

Simply placing a song you like into a scene because it’s a good jam is not enough justification.

The Past, Present, and Future of Lyrics

Long before humans watched movies, television, or even read books, they listened to storytellers tell them tales of love and war. To add excitement, many of these stories were sung or accompanied by music. These storytellers were called poets and their words, “lyrics.”

Fast forward thousands of years and we’re still telling stories, but in a variety of mediums — music, film, television, books, newspapers, magazines, the Internet, and even video games.

But lyrics still live on in a more specified manner. They are the words with which the poets of music tell their story, share their emotions, or take us on a journey.

And it’s up to you, from here on out, to use them to their full advantage, whether as a songwriter yourself or the curator of a creative vision.

[Image above from: eschipul]

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CONTINUOUS raw recording now on the Canon 5D Mark III

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May 14, 2013

by Andrew Reid, EOSHD.com

Huge thanks go to A1ex, g3gg0, 1% and the whole Magic Lantern team.

I have no other words to describe it – this is huge news.

Magic Lantern have done the seemingly impossible and given us a continuous raw recording mode on the Canon 5D Mark III. Once activated in the menus the 5D Mark III becomes essentially a full frame Blackmagic Cinema Camera and amazingly mine has not yet exploded. No more short bursts of raw, this is the real thing.

The image is leaps and bounds ahead of any other DSLR. We’re talking Alexa / Red league here, yet full frame. The first ever raw video shooting full frame camera at that. I’m getting continuous recording at a data rate to the card of 90MB/s and the camera hardly breaks into a sweat.

Here’s the option in Magic Lantern:

IMG_5267

IMG_5268

IMG_5266

I shot the clips in the video above in 1920×1280 mode. I also have some 3.6K clips (3592×1320) too unfortunately they are glitchy with some drop frames, but 3K or 2.5K might be doable, especially with a narrower vertical crop… 3000×1000 maybe. That is approximately Micro Four Thirds area of the sensor at 1:1. The quality is the same as a raw photo. 14 bit, 12 stops dynamic range.

The 1080p raw file sizes are similar to 2.5K on the Blackmagic Cinema Camera. Around 4MB per frame for 1920×1280 (great aspect ratio for anamorphic lenses, utilizing a higher than full HD vertical res) or a much more space efficient 2MB for 1920×720 (2.66:1).

You can also record plain old boring 1920×1080!

Here’s a partial list of the currently supported resolutions:

Full frame mode -

  • 1920 x 1280 (3:2) – great for anamorphic
  • 1920 x 1080 (16:9)
  • 1280 x 720 (16:9)
  • 1280 x 1280 (1:1)

1:1 crop modes -

  • 3592 x 1320 – I get some drop frames at this res
  • 2880 x 1320
  • 2560 x 1080
  • 1920 x 1080 (full HD crop mode like GH2)
  • 1280 x 720 (the lower the resolution the more telephoto the crop)

***SEE MORE of Andrew Reid’s article here.

Canon 5D Mark III Official Photos and Specs

More on this subject here:

Spotdox makes all your files accessible via Dropbox

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May 13, 2013

by Spotdox

Spotdox is a nifty combination of a Mac app and a Web service that lets you remotely move any file on your Mac to your Dropbox folder, thus making it available via Dropbox from anywhere.

Spotdox Features

Spotdox is an add-on to Dropbox that allows you to access any file on your computer (or any drives attached to it) from any location or device.
Never get stuck without that important file or folder.

Why do I need Spotdox?

Dropbox only gives you access to your files within your Dropbox folder. Spotdox allows you to browse, copy, and send, ANY file or folder on your computer to anyone or anywhere.

Dropbox full?

Now you can move stuff off Dropbox and onto your Mac from any phone or web browser. For instance upload photos while on the road to Dropbox and transfer them to your Mac, freeing up space.

Spotdox

We could use your help to spread the word, so for a limited time:

Download Spotdox here

We are looking to get people using Spotdox, and providing feedback… so for the first 10,000 users we are offering a lifetime free Spotdox membership. Oh, and feel free to give us your feedback so we can continue to improve.

Thanks,
Tom and James

Partly Cloudy

Reblogged from digitalfilms:

Click to visit the original post

This past Monday at their MAX event, Adobe clarified its plans going forward. Gone is the “next” label, as well as any mention of “Creative Suite 7”. Henceforth, nearly all of Adobe’s content creation products will be sold only via Adobe’s cloud subscription model, under the Creative Cloud (or CC) banner. Premiere Pro, Photoshop, et al, become Premiere Pro CC, Photoshop CC and so on.

Read more… 2,269 more words

A great recap by Oliver Peters on this week's Adobe news...

What Adobe Creative Cloud is really all about

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May 10, 2013

by

(Thanks to George E Kennedy Jr for posting)

Adobe-Creative-Cloud-Logo

There was a major disturbance in the Force this week when Adobe announced that from here forward, products would be available via Creative Cloud Only.  It’s obvious from comments all over Social Media there are a lot of folks disappointed by this but many of the discussions have degenerated into name calling and accusations of greed towards Adobe.  There’s also a LOT of misinformation about what the Cloud is and is not.

First off, the VERY basics of Creative Cloud 101.

This is a monthly subscription, you are NOT forced to buy a yearly subscription..  You can pay and use the software by the month or save some money and purchase by the year.  You can literally use the software for one month, unsubscribe and they resubscribe at a later date.  No penalties.

What’s included in the subscription?  For the based $19.99 / month a Single Application.  Then depending on your rate plan, the next level gets you everything Adobe makes.   You download the software of your choice to your computer(s).  For instance I have an iMac with almost everything from Adobe while my MacBook Pro only has Premiere Pro and Photoshop installed.

How many computers can you install onto?  Really as many as you want.  It will operate on any two machines (PC or Mac) at the same time.  However you can Deactivate the Cloud on any computer and Activate it on another at will.  I do this already.

What about volume licenses?  The Creative Cloud has a Teams feature specifically for larger and enterprise level clients.

Do I have to be connected to the internet at all times?  See this answer and more here…

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Creating Cinemagraphs with (any) Final Cut Pro and Motion

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May 9, 2013

by fcp.co

What are cinemagraphs? In this article we show you a recent broadcast feature made up entirely of cinemagraphs and we also look at how they are made using FCP and Motion.

If you watched the BBC coverage of the final of the Snooker World Championship over the Bank Holiday weekend in the UK, you might have seen the black and white ‘Time’ feature. If not, take a look at the piece which was made up using cinemagraphs.

Eagle-eyed readers will have spotted Stephen Fry sitting in the front row of the press seats!

Our site editor Peter Wiggins in conjunction with cameraman Colin Nuttall and producer Tony Davies decided to make something different for the last show of the competition. Peter spent 17 days editing on the sporting event in Sheffield and describes the process of making cinemagraphs. The finished piece took a day to edit.

Read more of this article and tutorial here…

 

10 Reasons The Haters Are Mad About Adobe Creative Cloud

Reblogged from Photofocus:

Click to visit the original post

Adobe started moving everyone to the cloud months ago and we've covered it extensively on Photofocus. From the very beginning, there's been weeping and gnashing of teeth that has bordered on hysteria. In fact, in some cases, it's mostly faux outrage based on greed, silliness, stupidity, disinformation, mob mentality, entitlement issues and misinformation.

Let's set some ground rules. Adobe is in business to make money.

Read more… 1,145 more words

10 Reasons The Haters Are Mad About Adobe Creative Cloud...

A Filmmaker’s Secret…

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May 7, 2013

by www.harborfreight.com

(Thanks to David Wardrick for posting)

Harbor Freight… It’s a hardware store that secretly has cheap tools for film-making…and they’ve got a huge “save-on” right now. Tarps, Moving Dollies, LEDs, Clamps, Stingers, Cable Ties, Sound Blankets, Gloves, etc…

Harbor Freight Tools – Quality Tools at Discount Prices Since 1977

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After Effects: So that’s what the timeline search box is for!

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May 3, 2013

by Greg Olson, VideoMaker

screenshot of the after effects timeline search bar

 

As a long time After Effects user, I still find myself discovering new features nearly every day. Many times I’ll be watching some type of training video, and while the main concept of the video is the primary reason for watching, I’m always looking out for ways to speed up my editing process. I was recently watching a great tutorial on Borix FX, and while I have seen the search field at the top of my timeline window just sitting there, awaiting my swift keyboard strokes, I more or less ignored it. I just assumed it was there to find a long lost layer buried farther down the timeline than I was willing to scroll.

It’s true that typing in the name of a layer will show you that layer, as well as hiding any layer that doesn’t match. However, I did not realize the true power of this little search box. Let’s say you have 15 layers that have glow on them. What if you wanted to change the “composite original” setting from “behind” to “on top”. Well, option one (also known as the slower way that I was doing it) is clicking each layer, going to the effects controls window, changing the setting, then clicking on the next layer and repeating the process. This will get the job done. However, option two (also known as the much faster way) is to simply deselect all your layers (ctrl+shift+a), and type “composite” into the timeline search box. This will pull up that specific setting underneath each layer right in the timeline, and now you can simply change each layer in succession without ever going into the effects control window. It also works on layer specific options that don’t even appear in the effect control window, such as “path options” on a text layer. This little feature is particularly effective when a specific setting is buried in an avalanche of chevron dropdowns.

It’s not a feature that is likely to blow the mind of your friends and family, but your fellow video producers will certainly thank you for it!

 

DIY DSLR Camera Slider Under $8

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May 2, 2013

by Austin Lindsay

Here’s a DIY DSLR Camera Slider I made for under 9 dollars with parts I picked up from the Home Depot. I got the main idea from Film Riot’s idea, then tweaked it to need less tools for assembly.

Here’s Film Riot’s Video:
http://www.youtube.com/watch?v=fR_-R2…

Much of it is explained in the video, but here’s a parts list for those of you who are interested. Everything can be found at the Home Depot. Provided they still stock these items when you see this. :)

2 pcs – ¾ inch conduit. (Cut to desired length)

4 pcs – ¾ inch Electrical Metallic Tube (EMT) Set-Screw Connector. (I found 5 pack that was pretty cheap)

3 pcs – Plastic electrical outlet box. With ¾ inch holes.

1 pcs – Electrical outlet box cover.

About 12 pcs of velcro, cut ¼ inch wide, ½ inch long.

1 pc – ¼ inch 20 thread count screw.

 

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Mountain Lion: A Beginner’s Guide

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April 29, 2013

by MakeTechEasier

So you just got a brand new Mac with Mac OS X Mountain Lion installed, or maybe you’ve just upgraded from OS X Lion. Now what?

Free eBook

You have this brand new operating system that looks intimidating, overwhelming and confusing! You think to yourself, or maybe even post on Twitter of Facebook, “How the heck do I use this thing?” Have no fear!  Mountain Lion is not as bad as you may think. Sure it will take some getting used to, but after a couple of weeks you’ll be a Mountain Lion pro – using gestures, keyboard shortcuts, cool Mac terminology and awesome Mac apps.

OS X Mountain Lion is the ninth major release of OS X (formerly Mac OS X). It’s an operating system for Mac computers that was released on July 25, 2012. The latest release on September 19, 2012 added a few extra features, making OS X Mountain Lion even better. So how is Mountain Lion different? OS X Mountain Lion marks the beginning of the merge between iOS (Apple’s mobile operating system) and OS X, hence the reason why many of the new features and apps in this operating system come straight from iOS.

With this guide you will receive daily updates in your email for free, courtesy of MakeTechEasier.

This 79-page ebook contains tips from getting around your Mac, to mastering the keyboard and trackpad, managing your apps, getting social in your Mac, and many more tips and tricks for you to get the most out of OS X Mountain Lion.

Golden Light: Videomaker’s FREE Mobile App

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April 26, 2013

by Mike Wilhelm, Videomaker

 

What is the best time to use that awesome sunset glow? Find the best time – anytime – worldwide, with Videomaker’s free iOS app.

Shooting under the sun is such a pain. It’s such an intense light source, that balancing your shadows while making sure your subject looks flattering is often much more difficult than shooting in a controlled environment with artificial light. Forget about shooting by yourself at high noon. You need at least one other person to hold a reflector or a scrim to wrangle those ugly shadows under the eyes and chin. You’re playing by the sun’s rules and on the sun’s schedule. It’s no surprise, then, that the best photographers and videographers have nailed down the absolute best time of day for the best quality sunlight: the golden hour. What is the golden hour?

Put generally, it’s both the first hour after sunrise and the last hour before sunset. It’s the time of day when the sun is lowest in the sky, making shadows soft and color temperature warm. The light that the sun gives us during the golden hour is extremely flattering to human subjects and it gives landscapes and cityscapes a much richer hue.
The only problem with the golden hour is that it’s such a short window of time, and most of the time, it’s not even a full hour. Trying to schedule a shoot around the golden hour is often hit or miss. That’s why we’ve created Golden Light: an iOS app that uses your location and global weather data to tell you exactly what time the golden hour begins and ends. Here’s how it works.
Before getting the golden hour times, Golden Light needs your location. After opening Golden Light for the first time, it will ask you for permission to use your location. Whether you allow this to happen is up to you. If you agree, the Golden Light map will center on your location and you’ll get the golden hour times right away. If you disagree, you’ll have to chose your location manually. This isn’t a bad thing. In fact, if you’re planning a shoot for the future, you may not be right at the shoot location right away anyway.
When you have the map centered on your shoot location, tap the red pushpin at the top right corner of the screen. Tap again on the map to drop the pin. Golden Light now has the location it will use to give you the golden hour times. If you tap the pin on the map, you can tap the star to bookmark that location for use later.
Once you have the location pinned, open the menu and click Golden Hour. There you’ll find today’s golden hour schedule, which you can use to set your shooting schedule.
Now here’s the cool part: tap the calendar icon in the upper right corner to select a future date to base your shooting schedule on. Notice how the time and duration of the golden hour changes with the date? That’s thanks to the global weather data Golden Light has access to.
Golden Light is free, and it’s international. All you need is an iPhone or iPad, and you’re set. So the next time you’re planning to shoot under the soft warm light during the golden hour, install Golden Light and give it a spin.
Mike Wilhelm is Videomaker’s Content Director.
Click here for his article

Gen Y, Social Media, & How We're Making A Difference

Reblogged from Gen Y Girl:

I’m sitting in class and I feel really bad for my professor. No one’s paying attention to him.

I look around and everyone’s either got a phone in their hand or a laptop open. And I promise you, no one’s taking notes.

Statuses are being updated, pictures are being posted, and I’m sure that at least five people are on Twitter.

Read more… 976 more words

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